『Song of the Wind: From Making Together』는 출간 예정일(2026-09-02)이 지났지만 아직 서점 판매가 확인되지 않았습니다. 매일 확인해 판매가 확인되면 서점 링크와 함께 한 번 알려드립니다. 예정일 뒤 60일이 지나도 확인되지 않으면 그 사실을 알려드리고 알림을 마칩니다.
*Song of the Wind* documents the field research and collaborative work accumulated as the project of the same name travelled from Wando, South Korea, to the Philippines, Vietnam, Hsinchu in Taiwan, Jakarta in Indonesia, and the northern coast of Portugal between 2022 and 2026. From her situated position as a researcher of socially engaged art and a curator, Sunyoung Oh approaches the sea as a boundary and a route of movement, an ecological environment, and a site of labour. Tracing kelp farming, migrant labour in fisheries, sea-level rise and coastal erosion, urban development and transformations of waterfronts, and relationships between human and more-than-human life, she examines how the opportunities and risks of mobility—as well as value, cost, and responsibility—are unevenly distributed. The book does not present collaboration as a successfully completed collective endeavour. It also records the negotiations, conflicts, interruptions, and asymmetries that emerge between different people and places, asking what kinds of responsibility are required by making and living together. Moving across multiple seas and cities, the book explores where art and life, labour and ecology meet, and seeks possibilities for coexistence that do not erase difference.
출처: 국립중앙도서관 출판예정도서 등록 정보(출판사 제출)
Contents
My Position in This Book
Working as a Researcher, Curator, and Co-producer
Prologue. Beginning Song of the Wind
1. From Incomplete Collaboration to Song of the Wind
2. How a Single Question Travels from Place to Place
3. Art as a Practice of Collectively Identifying and Responding to Socio-Ecological Problems
4. The Places and Times of the Project, 2022–2026
Part I. The Conditions of Collaboration
Chapter 1. Rethinking Collaboration
1. Do Participation and Collaboration Guarantee Democracy?
2. From the Art Object to Relations and Processes: Shifts in Socially Engaged Art and Public Art
3. Questions after Incomplete Collaboration
4. Understanding the Incompleteness of Collaboration as a Condition of Analysis
5. Looking beyond Outcomes to the Conditions in Which Relations Are Formed
Chapter 2. How Does the Field Become Knowledge?
1. Positionality and Conditions of Access in Field-Based Artistic Research
2. Walking and Dialogue, Observation and Documentation as Relational Methods
3. Situated Knowledge and Epistemic Authority
4. Constructing Socio-Ecological Problems as Shared Concerns
5. Methods of Translation, Documentation, and Representation
6. The Boundary between Artistic and Extractive Research
Chapter 3. Asymmetries of Collaboration and Relational Labour
1. When Does Difference Become Inequality?
2. Curatorial Authority, the Right to Participate, and the Possibility of Withdrawal
3. The Time of Movement and the Time That Remains in Place
4. The Invisible Labour of Sustaining Relations
5. How Are Value and Visibility Distributed?
6. Making Conflict Visible and Renegotiating Roles
Chapter 4. Responsibilities That Remain after Collaboration
1. Who Decides When a Project Ends?
2. The Right to Speak about Other People’s Lives and the Right to Remain Silent
3. Consent and Trust Are Not Settled Once and for All
4. What Remains after Intervening in a Place?
5. The Time Required to Care for Plantings and Facilities
6. Records That Continue to Travel after Departure
7. Sustaining Responsibility and Bringing a Project to a Just Conclusion
Part II. Relations Formed along the Wind’s Path
Chapter 5. South Korea—Where the Questions Began
1. Institutional Collaboration and Foreseen Failure
2. Choosing a Site and Preparing Relationships
3. Turning a Place to Stay into a Shared Resource
4. How Can Voluntary Participation Be Designed?
5. The Same Labour, Different Conditions
6. Whose Work Is Collaborative Making?
7. Pung-Mi—Relations Made through Food and Seaweed
8. Questions That Did Not End in Yaksan-myeon
Chapter 6. The Philippines—Creating Publicness through Relations in a Private Space
1. The Route That Led to the Philippines
2. A Site Where the Artist Becomes a Guide
3. Encountering a Residency in a Private Home
4. Two Workshops—Opening the House to the Neighbourhood
5. What Makes a Space Public?
6. When a Proposal for Collaboration Meets the Language of Price
7. Relations Loosely Sustained—The Time before Collaboration
Chapter 7. Vietnam—Changing Landscapes, Moving Lives
1. From a Single Destination to Two Research Routes
2. The Red River and the Coast—Observing a Changing Environment with Nguyễn Vũ Hải
3. From Mù Cang Chải to Hanoi—Sylbee Kim’s Independent Research
4. From Research to Planting—What Should Be Defined as a Shared Environmental Problem?
5. Relearning How to Plant a Tree at the Temple of Literature
6. Socially Engaged Practice—Planting Trees along the Red River with Think Playgrounds
7. After Two Planting Projects—Who Cares for the Trees?
8. Questions Left by Divergent Routes—Hospitality and Non-Extractive Collaboration
Chapter 8. Taiwan—Redesigning Collaboration along the Flow of Water
1. From Wando to Hsinchu—A Question Moving from Sea to Watershed
2. The Water of an Industrial City and Life on the Coast
3. Jiugang Island—Estuarine Change and Situated Knowledge
4. The Same Consent Form, Divergent Participation—Renegotiating Roles, Labour, and Credit
5. Naruwan—Halting Intervention in the Face of Migration and Coastal Risk
6. 2026: From One Island to the Watershed
Chapter 9. Indonesia—A City under Study, Labour on the Move
1. Returning to Jakarta after 2022
2. Flooding North Jakarta—The Urbanisation of Water and Unequal Risk
3. A Research Site Where the World Converges—When Living Space Becomes Data
4. Information in Motion, Accumulated Value—Lives as Research Resources
5. Enabling External Intervention—Local Collaborators between Research and Art
6. Whose Cost of Living Sets the Price of Labour?—International Budgets and Local Lives
7. Where Leaving and Remaining Are Organised—Migrants and Families Left Behind
8. Recording Voices in a Place of Crisis—Responsibility for Consent and Representation
9. From Indonesia to Another Sea—International Routes of Art and Labour
Chapter 10. Portugal—Questions Encountered Again on the Atlantic
1. From Asia to the Atlantic—A Collaboration That Began in Wando
2. A Forest Made by Wind and Sand
3. Who Protects and Manages the Forest?—The Civic Practice of +Pinhal
4. Coastal Life and Changing Labour
5. Recording the Will to Move—Eduardo Martins’s Nelayan: Vontade em Trânsito
6. A Beach Where Different Movements Meet
7. Questions to Carry Forward from the Atlantic—The Next Stage of Collaboration
Collaborator Essay. What Should Remain in the Midst of Change?—Daniel Duarte Pereira
Part III. Lives and Labour Revealed by the Sea
Chapter 11. Is the Sea a Border or a Route?
1. Asking Again about Borders from the Beach
2. Seas Already Connected, Routes Reconfigured by Empire
3. People Who Crossed the Sea, Landscapes Transplanted
4. Ports and Territorial Waters, Passports and Contracts
5. New Labour Migration along Old Sea Routes
6. Between Route and Border
Chapter 12. How Is Movement Organised?
1. Choices Made before Departure
2. Qualifications and Temporalities Produced by the State
3. Markets and Employment, Recruitment and Intermediation
4. Migration and Care Shared across Families
5. Institutions That Make the Movement of Art and Research P
출처: 국립중앙도서관 ISBN 서지정보(출판사 제출)
부가기호 03330: 독자 대상 교양 · 발행 형태 단행본 · 내용 분류 사회과학.
분량·판형: 450쪽 · 판형 145*200.
출처: 국립중앙도서관 ISBN 서지정보 · 부가기호 뜻은 국립중앙도서관 ISBN 안내 기준
서점 링크는 제휴 링크이며, 구매 시 북버스가 수수료를 받을 수 있습니다.
서점 정상판매 확인. ISBN 9791199830073 기준 검색입니다.
SCAP PRESS에서 2026-09-02 출간 예정으로 국립중앙도서관 ISBN 서지정보에 출간예정으로 등록됐던 도서입니다. 실제 출간·판매 여부는 서점에서 ISBN 9791199830073으로 확인할 수 있습니다.
Sunyoung Oh / SCAP PRESS. 출간 후 상세 정보가 갱신됩니다.
종이책으로 출간 예정입니다. 분량은 450쪽입니다. 정가는 50원입니다. (국립중앙도서관 출판예정도서 등록 기준이며, 별도 판형이 추가될 수 있습니다.)
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이 책은 국립중앙도서관 ISBN 서지정보에 출간예정으로 등록된 도서입니다. 서점 등재 전 단계의 공식 서지 정보이며, 출간 후 소개·표지 등 상세 정보가 자동으로 갱신됩니다.
출처: 국립중앙도서관 서지정보유통지원시스템 (매일 갱신)