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재즈 솔로 랭귀지

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위플레이재즈 · 2026-09-10 서점 등재 확인 중

ISBN 9791122112108 · 예술

154쪽 · 정가 18,000원 · 종이책

서점 등재 확인 중종이책국립중앙도서관 ISBN 서지정보 등록

서점에 등록되면 알려드릴게요

『재즈 솔로 랭귀지』는 출간 예정일(2026-09-10)이 지났지만 아직 서점 판매가 확인되지 않았습니다. 매일 확인해 판매가 확인되면 서점 링크와 함께 한 번 알려드립니다. 예정일 뒤 60일이 지나도 확인되지 않으면 그 사실을 알려드리고 알림을 마칩니다.

책 소개

《Jazz Solo Language》

화성, 리듬, 멜로디로 만드는 재즈 솔로

재즈 즉흥연주는 단순히 많은 스케일과 코드를 외우는 것으로 완성되지 않는다. 좋은 솔로를 만들기 위해서는 화성을 이해하고, 리듬을 자유롭게 다루며, 자신만의 멜로디를 만들어내는 언어가 필요하다.

《Jazz Solo Language》는 재즈 즉흥연주에 필요한 기본적인 화성, 리듬, 멜로디의 원리를 실제 연주에 적용할 수 있도록 구성한 실전 중심의 재즈 솔로 교재이다.

Charlie Parker를 중심으로 한 비밥의 언어를 바탕으로 Motif & Phrase, Bebop Scale, Enclosure, Diatonic Chord, Parallel Chord, Turnaround, Swing과 Syncopation 등의 개념을 단계적으로 살펴보고, 이를 실제 솔로를 만드는 과정으로 연결한다.

이 책의 목표는 재즈 이론을 많이 아는 연주자를 만드는 것이 아니라, 배운 음악적 언어를 자신의 연주 속에서 자유롭게 사용할 수 있는 연주자가 되는 것이다.

출처: 국립중앙도서관 출판예정도서 등록 정보(출판사 제출)

요약

“재즈 즉흥연주를 ‘외워야 할 것’이 아니라 ‘사용할 수 있는 언어’로 설명한다.”

재즈를 공부하는 과정에서 가장 어려운 지점은 이론과 실제 연주 사이의 간격이다. 코드와 스케일을 알고 있어도 그것이 어떻게 하나의 자연스러운 솔로로 연결되는지는 또 다른 문제다.

《Jazz Solo Language》는 이러한 간극을 좁히는 데 초점을 맞춘다. 화성, 리듬, 멜로디라는 재즈 즉흥연주의 핵심 요소를 분리해서 설명하는 데 그치지 않고, 각각의 요소가 실제 솔로 안에서 어떻게 연결되고 활용되는지를 보여준다.

특히 Motif와 Phrase, Enclosure, Bebop Scale, Diatonic과 Parallel Chord, Turnaround 등의 개념을 통해 재즈 언어가 만들어지는 과정을 단계적으로 접근할 수 있도록 구성한 점이 인상적이다.

이 책의 가장 큰 장점은 재즈 솔로를 단순히 ‘많이 연주하는 것’이 아니라 ‘언어를 배우고 사용하는 과정’으로 바라본다는 점이다.

처음 재즈 즉흥연주를 시작하는 학생에게는 체계적인 출발점이 되고, 이미 재즈를 연주하고 있는 연주자에게는 자신이 알고 있던 개념을 다시 정리하고 새로운 방식으로 연결해 볼 수 있는 좋은 안내서가 될 것이다.

결국 좋은 재즈 솔로는 얼마나 많은 것을 알고 있느냐보다, 알고 있는 것을 얼마나 음악적으로 사용할 수 있느냐에 달려 있다.

《Jazz Solo Language》는 그 방법을 찾기 위한 하나의 길을 제시한다.

출처: 국립중앙도서관 ISBN 서지정보(출판사 제출)

머리말·················································································································································································································· 003

서론

PART 1

모티프와 프레이즈

PART 2

모티프를 조합해 프레이즈 만들기

1. 즉흥연주에 대한 오해 ····································································· 006 2. 즉흥연주의 두가지 방법 ······························································ 006 3. 듣기 좋은 음악 ····················································································· 007

1. 모티프 ············································································································ 010 2. 프레이즈 (Phrase) ········································································· 011 3. 모티프의 변형 (Motivic Variation) ······························· 014 4. 모티프 변형 연습 ·············································································· 016

1. 모티프 발전법 (Motivic Developing) ························· 031 2. 프레이즈 표기법 ················································································· 031 3. 익숙함과 새로움의 균형: AABA 구조 ···························· 032 4. 프레이즈의 구성 ················································································· 033 5. 「나비야」 모티프 구조의 블루스 적용 ······························· 033 6. 형식의 다양화 ······················································································· 034 7. 「아리랑」 모티프 구조의 블루스 적용 ································ 035 8. 「아리랑」의 프랙탈(Fractal) 구조 ······································ 036

1. 블루스 멜로디 ························································································ 038 2. 블루스 형식 ····························································································· 038 3. 반복되는 멜로디의 블루스 ······················································ 040 4. 2+1+1 멜로디 ······················································································ 041 5. 1 + 1 + 2 멜로디 ················································································ 042 6. 2 + 2 멜로디 ························································································· 043 7. 4마디 멜로디 ·························································································· 044

PART 3 블루스(Blues)

8. 멜로디 전조 ····························································································· 045 9. 5번째 마디 멜로디 음변형 ························································ 047 10. 2번째 마디 멜로디 음변형 ···················································· 047 11. 수평적 음변형 ····················································································· 049 12. 보이스 리딩 (Voice Leading) ········································· 050 13. 비대칭적 프레이즈 구성법 ····················································· 050 14. 마디의 경계를 넘는 프레이즈 ·············································· 051 15. 펜타토닉 스케일 ·············································································· 052 16. 수평적 화성 ·························································································· 053 17. 스케일(라인) 기반의 솔로 ························································ 054

1. 타겟 노트(Target Note) 어프로치 ··································· 059 2. 인클로저(Enclosure) ·································································· 059 3. 비밥 스케일(Bebop Scale) ·················································· 065 4. 비밥 스케일 연습 ················································································ 076

1. 텐션음(Tension) ················································································ 082 2. 코드톤 연습 ····························································································· 084 3. 화성 색깔별 재즈 프레이즈 연습 ······································· 091 4. 화성 진행 ··································································································· 093 5. 대표적인 재즈 화성 ······································································ 111 6. 턴어라운드 진행 ················································································· 114 7. 섭스티튜션 (Substitution) ····················································· 122 8. 멜로디를 이용한 즉흥연주 ························································ 129

1. 엇박자(Syncopation) ································································ 140 2. 스윙(Swing) 리듬 ·········································································· 141 3. 그루핑(Grouping) ·········································································· 146 4. 하모닉 리듬(Harmonic Rhythm) ·································· 149

PART 4 비밥(Bebop)

PART 5 화성(Harmony)

PART6 리듬(Rhythm)

맺음말·················································································································································································································· 154

출처: 국립중앙도서관 ISBN 서지정보(출판사 제출)

서지 풀이

부가기호 93680: 독자 대상 전문 · 발행 형태 단행본 · 내용 분류 예술.

분량·판형: 154쪽 · 판형 210*297.

출처: 국립중앙도서관 ISBN 서지정보 · 부가기호 뜻은 국립중앙도서관 ISBN 안내 기준

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